Jaromil Jireš
Born: 1935-12-10 in Bratislava, Czechoslovakia [now Slovak Republic]
Died: 2001-10-24
Known For: Directing
Biography
Jaromil Jireš (December 10, 1935 – October 24, 2001) was a director associated with the Czechoslovak New Wave movement. His 1963 film The Cry was entered into the 1964 Cannes Film Festival. It is often described as the first film of the Czechoslovak New Wave, a movement known for its dark humor, use of non-professional actors, and "art-cinema realism".
Filmography
2018
2009
- Golden Sixties as Self (archive footage)
1999
- Double Role ... (Director)
1995
- GENUS ... (Writer)
- Učitel tance ... (Director)
1993
- Zvláštní schopnosti as Muž s rakví
- Helimadoe ... (Director)
1991
- Labyrinth ... (Director)
1990
- Jestřábí moudrost ... (Screenplay)
- Antonín Dvořák ... (Writer)
1989
- Rakovina vůle ... (Director)
- Naděje má hluboké dno ... (Director)
1988
- O Háderunovi a víle Elóře ... (Director)
1987
- Lion with a White Mane ... (Director)
1985
- Extended Time ... (Director)
- Věčný Faust ... (Screenplay)
1984
- Katapult ... (Director)
1983
- Incomplete Eclipse ... (Director)
- O labuti ... (Director)
1982
- Opera ve vinici ... (Screenplay)
1980
- Payment in Kind ... (Director)
- Escape Home ... (Director)
1979
- The Young Man and Moby Dick ... (Screenplay)
- Zápisník zmizelého ... (Director)
1977
- Flying Saucers Over Our Village ... (Director)
- The Island of the Silver Herons ... (Director)
1974
- Královský gambit ... (Screenplay)
- People from the Subway ... (Screenplay)
- Il Divino Boemo ... (Story)
1973
- Kasař ... (Story)
1972
- And Give My Love to the Swallows ... (Director)
1970
- Valerie and Her Week of Wonders ... (Screenplay)
1969
- The Joke ... (Screenplay)
1968
- Don Juan 68 ... (Screenplay)
1966
- An Occasion to Speak as Self
- Pearls of the Deep ... (Screenplay)
- Srub ... (Director)
1964
- The Cry ... (Screenplay)
- The Hall of Lost Steps ... (Director)
1963
- The Dynamite Watcher ... (Director)
1961
- Footprints ... (Director)
1959
- Uncle ... (Writer)
1958
- A Box of Film as Self