E.A. Dupont
Born: 1891-12-25 in Zeitz - Germany
Died: 1956-12-12
Known For: Directing
Biography
Ewald André Dupont (25 December 1891, Zeitz, Saxony, Germany – 12 December 1956, Hollywood) was a German film director, one of the founders of the German film industry. He was frequently credited as E. A. Dupont. A newspaper columnist in 1916, Dupont became a screenwriter and began directing his own crime-story scripts in 1918. After several successes in his native Germany in silent films, he worked in London and in Hollywood, California. One of his greatest successes was the silent film Varieté (1925). This film, about an ex-trapeze artist, was noted for its innovative camerawork with highly expressive movement through space, accomplished by the prolific expressionist cinematographer Karl Freund. Varieté even did well in the United States, screening for 12 weeks at New York's Rialto Theatre. Dupont's success was noticed by Carl Laemmle at Universal, who offered Dupont a lucrative contract. His first project was Love Me and the World Is Mine in the early summer of 1926, which ran well over budget ($350,000) and was not a success. His film Piccadilly (1929), a late silent, is noted for the central performance of the Chinese-American actress Anna May Wong. Atlantic (also 1929) is seen as one of the most innovative uses of sound film technology available at the time. After his successes in the UK, Dupont returned to Hollywood in 1933, though he directed only a handful of films after 1939. Description above from the Wikipedia article Ewald André Dupont, licensed under CC-BY-SA, full list of contributors on Wikipedia. From Wikipedia, the free encyclopedia.
Filmography
1956
- Please Murder Me ... (Story)
1955
- Magic Fire ... (Screenplay)
1954
- Return to Treasure Island ... (Director)
1953
- The Neanderthal Man ... (Director)
- The Steel Lady ... (Director)
- Problem Girls ... (Director)
1939
- Hell's Kitchen ... (Director)
1937
- On Such a Night ... (Director)
- Love on Toast ... (Director)
- Night of Mystery ... (Director)
1936
- Forgotten Faces ... (Director)
- A Son Comes Home ... (Director)
1935
- The Bishop Misbehaves ... (Director)
1933
- Der Läufer von Marathon ... (Director)
- Ladies Must Love ... (Director)
1932
- Peter Voss, Thief of Millions ... (Director)
1931
- Trapeze ... (Director)
- Somersault ... (Director)
- Cape Forlorn ... (Screenplay)
- The Lost Course ... (Director)
1930
- Two Worlds ... (Director)
- The Two Worlds ... (Director)
- Atlantic ... (Director)
- Two Worlds ... (Director)
- The Love Storm ... (Director)
1929
- Piccadilly ... (Director)
- Atlantic ... (Director)
- Atlantic ... (Director)
1928
- Moulin Rouge ... (Director)
1927
- Love Me and the World Is Mine ... (Director)
- Madame Pompadour ... (Writer)
1925
- Variety ... (Director)
- Der Demütige und die Tänzerin ... (Director)
1924
- The Film in the Film as Self
1923
- The Ancient Law ... (Director)
- The Green Manuela ... (Director)
1922
- Children of Darkness - 2. Fighting Worlds ... (Director)
- She and the Three ... (Director)
1921
- Die Geierwally ... (Director)
- Children of Darkness - 1. The Man from Naples ... (Writer)
1920
- Hearts Are Trumps ... (Director)
- Alcohol ... (Director)
- Der Würger der Welt ... (Director)
- Patience ... (Writer)
- Der weisse Pfau ... (Director)
1919
- The Secret of the American Docks ... (Director)
- The Japanese Woman ... (Screenplay)
1918
- Mitternacht ... (Director)
- Es werde Licht! 2. Teil ... (Writer)
- Ferdinand Lassalle ... (Screenplay)
- Es werde Licht! 4. Teil: Sündige Mütter ... (Writer)
- Der ewige Zweifel ... (Writer)
- Es werde Licht! 3. Teil ... (Writer)
- Rennfieber ... (Writer)
- Durchlaucht Hypochonder ... (Writer)
- Die sterbenden Perlen ... (Writer)
1917
- The Giant's Fist ... (Writer)