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Box Office: ‘NAZA,’ Documentary About Israel’s Attacks on Gaza That Was Too Hot for Distributors, Crosses $500,000
Self-distributed film has been condemned by the IDF, earned rave reviews, and seems poised to be an Oscar contender.
‘The Social Reckoning’ Bombs With $5.5 Million Opening. Why Did Aaron Sorkin’s Facebook Follow-Up Fail at the Box Office?
Bad reviews, David Fincher's decision not to return, and a story about algorithms and not AI are partly to blame.
‘Wildwood’ Review: Laika’s Epic Stop-Motion Wonder Lacks the Magic of the Studio’s Best Movies
"Wildwood" is the antidote to all of the worst trends in mainstream animation, but it gets lost somewhere in the wild...
‘The Pitt,’ ‘Take Me Home,’ and More Win at The DARCYS 2026
The rebranded Easterseals Disability Arts & Culture Awards saw "The Pitt" and "Take Me Home" among the winners of its...
‘In a Violent Nature: Part 2’ to Release Valentine’s Day Weekend 2027
Shudder and Independent Film Company's slasher horror sequel opens opposite Greta Gerwig's "Narnia" movie.
Bill Burr vs. Facebook: Inside ‘The Social Reckoning’ Fantasy of the Comedian Speaking Truth to Power
Mark Zuckerberg has shut out dissenting voices; Aaron Sorkin and Burr talk about building the fiction of letting the ...
Oscars: U.K. Selects ‘Rehearsals for a Revolution,’ Documentary About Iran, as Best International Feature Entry
Pegah Ahangarani’s acclaimed look at her life in exile and her native country's political turmoil was already a leadi...
‘Ray Gunn’ Review: Brad Bird’s Longtime Passion Project Is a Retro-Futurist Detective Story with a Muddled Message
The "Iron Giant" and "Incredibles" filmmaker and legendary animator has been kicking around his jetpack-powered noir-...
’14th’ Review: Ava DuVernay’s Overstuffed Netflix Documentary Finds Us Living in the Age Frederick Douglass Warned Us About
Ava DuVernay’s ambitious follow-up to “13th” traces the Fourteenth Amendment’s unfinished promise, but its urgency so...
IndieWire’s Future of Filmmaking Summit to Feature ‘Pitch Me’ Panel on Finding Breakout Hits with Top Execs and Agents
Key players from Independent Film Company, Gersh, Thunder Road, and Madison Wells will explain what they look for fro...
Ava Duvernay Didn’t Make a Sequel — She Made ‘14th’
Though her latest Netflix documentary, NYFF closer "14th," shares DNA with her Oscar-nominated film "13th," director ...
‘Other Mommy’ Review: Jessica Chastain’s Acting Personas Collide in Freaky Dreamcore Horror
Hypnotic and demented, director Rob Savage's surreal adaptation of Josh Malerman's 2024 novel twists its Oscar-winnin...
Why ‘The Social Reckoning’ Reimagines Facebook’s Offices as a Palace of Fear
For Meta HQ, production designer Jon Hutman and director Aaron Sorkin wanted to get the rancid vibes right, not the M...
Historic Long Island Indie Theatre in Crisis After Beloved Co-Director Fired: Protests, Cancellations, Accusations of ‘Disloyalty’
Wim Wenders, Edie Falco, Isabella Rossellini, and hundreds of Long Island film lovers are furious over the ouster of ...
‘Drinking and Driving’ Review: Avalon Fast and Jillian Frank Wonder If Empty Rural Hedonism Can Ever Give Way to Transcendence
Deliberately ugly and focused on the lowest stakes imaginable, Fast and Frank's slice-of-life film has more ambition ...
Greta Lee, Rebecca Ferguson, and Carrie Coon Rom-Com ‘Honeymoon/Funeral’ Lands at Black Bear
"Always Be My Maybe" director Nahnatchka Khan is directing the film from MRC that was shopped at the TIFF Market.
Tony Gilroy on Pedro Pascal, ‘Behemoth!,’ and How Disney Never Told Him Not to Discuss Fascism During ‘Andor’ Press
The "Behemoth!" writer/director joined IndieWire's Anne Thompson and Ryan Lattanzio for a "Screen Talk" Live podcast ...
Anatomy of a Prom: How Mike Flanagan Climbed the ‘Everest’ of Horror Sequences for ‘Carrie’
Series creator Mike Flanagan and VFX supervisor Becky Philpott tell IndieWire how they pulled off a prom that's deadl...
Meryl Streep Almost Didn’t Watch the Six-Hour ‘My Undesirable Friends’ — Then, Colin Firth Led Her to Executive Produce It
Julia Loktev tells IndieWire about globetrotting as a one-woman crew to follow the now-exiled Russian and Ukrainian j...
Criterion Finally Gives Americans the Chance to See Kubrick’s Preferred Cut of ‘The Shining’ — but Which Version Is Better?
Director Stanley Kubrick edited two different versions of his Stephen King adaptation, and they yield quite different...